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Step into Andrew Iacobucci’s studio
Andrew Iacobucci, an Italian artist, opens his doors in a garage that was once a former auto repair business. Rome The following are examples of how to use, guiding the reader into his creative space. A descending staircase leads to a painting area outside, while the interior has a minimalistic block of kitchen furniture, a sofa in a dove color, and barely visible bookcases. The tubular structures used to support the curtains create a clear distinction between the living area and the working area. In addition, high walls and neon lights in this latter space provide a focused atmosphere. To facilitate a conducive creative process, the artist places a high priority on order and cleanliness in his studio. Fabrics and thread spools play a vital role in his studio. EmbroideredCompositions that show a respect for color and shape. ‘Working primarily on the floor without the constraints of physical supports or easels, I can arrange my works freely on the ground and engage with them physically,’ Iacobucci explained. ‘This tactile experience creates a closer connection to the artwork, emphasizing its conceptual yet still grounded nature.’
Andrew Iacobucci is the photographer of all images
Canvases Inspired by Language
Andrew Iacobucci (see more Here is a link to the article) describes his interest in language as a vast resource, comparing it to Pangea or an expansive Google, from which he draws abstract forms and discovers novel configurations. His recent collection in Hong Kong features works embroided with industrial machines and incorporating designs derived by yet non-literate kids. The vectorization of the drawings and their reproduction onto vibrant canvases reflect a deliberate intention to explore mark-making prior to assigning a specific meaning.‘My fascination lies in the exploration of language—its boundaries and possibilities. Rooted in my background as an architect, I’ve been trained to understand the significance of lines, the act of defining spaces, and the opening of surfaces,’ he described. ‘This inclination is reflected across various series and mediums,’ He added.
Explore the boundaries of Language
Iacobucci believes that exploring the margins of language allows him to participate in the moment of language’s first development, much like understanding the foundations of a complex architecture site. He draws parallels to the work of paleontologists who study fossils in order to understand evolution laws, connecting creative process with scientific exploration.
Iacobucci’s studio is a space where abstract forms come to life
Iacobucci explores mark-making on vibrant canvases
detail of ‘and do not, whatever you do, eat the heart’